Campion.

“The most powerful experiences we have as humans are a combination of psyche, love and erotica, which can really lock you in an extraordinarily powerful way to experiences beyond what you know and beyond what you can control,” says Campion. “If you look back at those moments, they are often powerful awakenings, way beyond your comfort zone. There’s a sort of calling against decorum, against what’s best.”

Jane Campion, reflecting on her films, Wuthering Heights, and passion.

On art.

“I love the idea of “problematic.” Problematic art isn’t bad art, it’s art that has problems. “Problematic” is an idea that lets us lower the cost of acknowledging and fixing bad and wicked things in our world. Without “problematic,” all you have is “bad” and “good,” and that means that any stain on a piece of art that moved you, improved you, opened your horizons and lifted you up is a disqualifier — being virtuous means that you have to reject the art because of its irredeemable sins.”

Cory Doctorow, reflecting on Molly Ringwald’s essay about John Hughes, #metoo, and how the implications of art change over time.

LiT.

Lost in Translation

Scottish writer Hope Whitmore wants what  Scarlett Johansson’s Charlotte had in Lost in Translation, and it’s a lovely bag of wants:

I want to sing Brass in Pocket on karaoke in a baby-pink wig. I want the freedom of an unknown city; a small girl anonymous amid the crowds under the neon billboards. I want to steal Bill Murray’s jacket and return it to him with tears in my eyes in a hotel foyer, and all of this in the intimate soft focus of an Aaton camera. I want to figure stuff out and I want everything to be OK.

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