Brilliant image for the Guardian’s piece on Netflix. It isn’t hyperbole, either. Netflix hasn’t been competing with Blockbuster or HBO or Amazon. They’e competing will Hollywood writ large—and have flawlessly taken away control of distribution and marketing from the studios and networks. As Ben Thompson points out in aggregation theory, the company who owns the consumer interface wins. Netflix owns it—and will only concentrate it further in the years to come. The drama now is […]
My homage to Mickey and Gus. I found the story of two people attempting to be vulnerable deeply moving and the ideal antidote to these deeply cynical times. Liner note: the triangle/circle motif comes from the 12-step sobriety chips. Bonus: Phone background
“I love the idea of “problematic.” Problematic art isn’t bad art, it’s art that has problems. “Problematic” is an idea that lets us lower the cost of acknowledging and fixing bad and wicked things in our world. Without “problematic,” all you have is “bad” and “good,” and that means that any stain on a piece of art that moved you, improved you, opened your horizons and lifted you up is a disqualifier — being virtuous […]
An exercise in extreme reduction. My favourite is the title split. (PS: the Heptapod symbol translates to “you have chosen life.” More here.)
Scottish writer Hope Whitmore wants what Scarlett Johansson’s Charlotte had in Lost in Translation, and it’s a lovely bag of wants: I want to sing Brass in Pocket on karaoke in a baby-pink wig. I want the freedom of an unknown city; a small girl anonymous amid the crowds under the neon billboards. I want to steal Bill Murray’s jacket and return it to him with tears in my eyes in a hotel foyer, and all of this in […]
I came across Michael Brown’s autopsy report a few years ago and was flattened by its bleak summary of a man’s life. This piece attempts to reverse those feelings. #blacklivesmatter
Finished Love. Great ride. I’ll miss those two.